Wilkie Collins: The Moonstone

FIRST PERIOD: THE LOSS OF THE DIAMOND (1848)
10. CHAPTER X (continued)

"In my opinion it is," answered Mr. Murthwaite. "I can't doubt, after what you have told me, that the restoration of the Moonstone to its place on the forehead of the Indian idol, is the motive and the justification of that sacrifice of caste which I alluded to just now. Those men will wait their opportunity with the patience of cats, and will use it with the ferocity of tigers. How you have escaped them I can't imagine," says the eminent traveller, lighting his cheroot again, and staring hard at Mr. Franklin. "You have been carrying the Diamond backwards and forwards, here and in London, and you are still a living man! Let us try and account for it. It was daylight, both times, I suppose, when you took the jewel out of the bank in London?"

"Broad daylight," says Mr. Franklin.

"And plenty of people in the streets?"

"Plenty."

"You settled, of course, to arrive at Lady Verinder's house at a certain time? It's a lonely country between this and the station. Did you keep your appointment?"

"No. I arrived four hours earlier than my appointment."

"I beg to congratulate you on that proceeding! When did you take the Diamond to the bank at the town here?"

"I took it an hour after I had brought it to this house-- and three hours before anybody was prepared for seeing me in these parts."

"I beg to congratulate you again! Did you bring it back here alone?"

"No. I happened to ride back with my cousins and the groom."

"I beg to congratulate you for the third time! If you ever feel inclined to travel beyond the civilised limits, Mr. Blake, let me know, and I will go with you. You are a lucky man."

Here I struck in. This sort of thing didn't at all square with my English ideas.

This is page 86 of 568. [Mark this Page]
Mark any page to add this title to Your Bookshelf. (0 / 10 books on shelf)
Customize text appearance:
Color: A A A A A   Font: Aa Aa   Size: 1 2 3 4 5   Defaults
(c) 2003-2012 LiteraturePage.com and Michael Moncur. All rights reserved.
For information about public domain texts appearing here, read the copyright information and disclaimer.