Phase the Second: Maiden No More
12. CHAPTER XII (continued)
As she walked, however, some footsteps approached
behind her, the footsteps of a man; and owing to the
briskness of his advance he was close at her heels and
had said "Good morning" before she had been long aware
of his propinquity. He appeared to be an artisan of
some sort, and carried a tin pot of red paint in his
hand. He asked in a business-like manner if he should
take her basket, which she permitted him to do, walking
beside him.
"It is early to be astir this Sabbath morn!" he said
cheerfully.
"Yes," said Tess.
"When most people are at rest from their week's work."
She also assented to this.
"Though I do more real work today than all the week
besides."
"Do you?"
"All the week I work for the glory of man, and on
Sunday for the glory of God. That's more real than the
other--hey? I have a little to do here at this stile."
The man turned as he spoke to an opening at the
roadside leading into a pasture. "If you'll wait a
moment," he added, "I shall not be long."
As he had her basket she could not well do otherwise;
and she waited, observing him. He set down her basket
and the tin pot, and stirring the paint with the brush
that was in it began painting large square letters on
the middle board of the three composing the stile,
placing a comma after each word, as if to give pause
while that word was driven well home to the reader's
heart--
THY, DAMNATION, SLUMBERETH, NOT.
2 Pet. ii. 3.
Against the peaceful landscape, the pale, decaying
tints of the copses, the blue air of the horizon and
the lichened stileboards, these staring vermilion words
shone forth. They seemed to shout themselves out and
make the atmosphere ring. Some people might have cried
"Alas, poor Theology!" at the hideous defacement--the
last grotesque phase of a creed which had served
mankind well in its time. But the words entered Tess
with accusatory horror. It was as if this man had
known her recent history; yet he was a total stranger.
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