Honore de Balzac: A Woman of Thirty

2. II. A HIDDEN GRIEF (continued)

"Madame, you will only return to God when His hand has been heavy upon you, and I pray that you have time enough given to you in which to make your peace with Him. Instead of looking to heaven for comfort, you are fixing your eyes on earth. Philosophism and personal interest have invaded your heart; like the children of the sceptical eighteenth century, you are deaf to the voice of religion. The pleasures of this life bring nothing but misery. You are about to make an exchange of sorrows, that is all."

She smiled bitterly.

"I will falsify your predictions," she said. "I shall be faithful to him who died for me."

"Sorrow," he answered, "is not likely to live long save in souls disciplined by religion," and he lowered his eyes respectfully lest the Marquise should read his doubts in them. The energy of her outburst had grieved him. He had seen the self that lurked beneath so many forms, and despaired of softening a heart which affliction seemed to sear. The divine Sower's seed could not take root in such a soil, and His gentle voice was drowned by the clamorous outcry of self-pity. Yet the good man returned again and again with an apostle's earnest persistence, brought back by a hope of leading so noble and proud a soul to God; until the day when he made the discovery that the Marquise only cared to talk with him because it was sweet to speak of him who was no more. He would not lower his ministry by condoning her passion, and confined the conversation more and more to generalities and commonplaces.

Spring came, and with the spring the Marquise found distraction from her deep melancholy. She busied herself for lack of other occupation with her estate, making improvements for amusement.

In October she left the old chateau. In the life of leisure at Saint-Lange she had recovered from her grief and grown fair and fresh. Her grief had been violent at first in its course, as the quoit hurled forth with all the player's strength, and like the quoit after many oscillations, each feebler than the last, it had slackened into melancholy. Melancholy is made up of a succession of such oscillations, the first touching upon despair, the last on the border between pain and pleasure; in youth, it is the twilight of dawn; in age, the dusk of night.