Part Two
Chapter 8: Medieval
(continued)
"Well, I must say I've only seen her at Tunbridge Wells, where
she was not wonderful, and at Florence. Since I came to Summer
Street she has been away. You saw her, didn't you, at Rome and in
the Alps. Oh, I forgot; of course, you knew her before. No, she
wasn't wonderful in Florence either, but I kept on expecting that
she would be."
"In what way?"
Conversation had become agreeable to them, and they were pacing
up and down the terrace.
"I could as easily tell you what tune she'll play next. There was
simply the sense that she had found wings, and meant to use them.
I can show you a beautiful picture in my Italian diary: Miss
Honeychurch as a kite, Miss Bartlett holding the string. Picture
number two: the string breaks."
The sketch was in his diary, but it had been made afterwards,
when he viewed things artistically. At the time he had given
surreptitious tugs to the string himself.
"But the string never broke?"
"No. I mightn't have seen Miss Honeychurch rise, but I should
certainly have heard Miss Bartlett fall."
"It has broken now," said the young man in low, vibrating tones.
Immediately he realized that of all the conceited, ludicrous,
contemptible ways of announcing an engagement this was the worst.
He cursed his love of metaphor; had he suggested that he was a
star and that Lucy was soaring up to reach him?
"Broken? What do you mean?"
"I meant," said Cecil stiffly, "that she is going to marry me."
The clergyman was conscious of some bitter disappointment which
he could not keep out of his voice.
"I am sorry; I must apologize. I had no idea you were intimate
with her, or I should never have talked in this flippant,
superficial way. Mr. Vyse, you ought to have stopped me." And
down the garden he saw Lucy herself; yes, he was disappointed.
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