Part Two
Chapter 9: Lucy As a Work of Art
(continued)
"He was such a nice old man, I'm sure."
Cecil laughed at her feminine inconsequence.
"Well, I did try to sift the thing. Mr. Eager would never come
to the point. He prefers it vague--said the old man had
'practically' murdered his wife--had murdered her in the sight of
God."
"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it
intolerable that a person whom we're told to imitate should go
round spreading slander? It was, I believe, chiefly owing to him
that the old man was dropped. People pretended he was vulgar, but
he certainly wasn't that."
"Poor old man! What was his name?"
"Harris," said Lucy glibly.
"Let's hope that Mrs. Harris there warn't no sich person," said
her mother.
Cecil nodded intelligently.
"Isn't Mr. Eager a parson of the cultured type?" he asked.
"I don't know. I hate him. I've heard him lecture on Giotto. I
hate him. Nothing can hide a petty nature. I HATE him."
"My goodness gracious me, child!" said Mrs. Honeychurch. "You'll
blow my head off! Whatever is there to shout over? I forbid you
and Cecil to hate any more clergymen."
He smiled. There was indeed something rather incongruous in
Lucy's moral outburst over Mr. Eager. It was as if one should see
the Leonardo on the ceiling of the Sistine. He longed to hint to
her that not here lay her vocation; that a woman's power and
charm reside in mystery, not in muscular rant. But possibly rant
is a sign of vitality: it mars the beautiful creature, but shows
that she is alive. After a moment, he contemplated her flushed
face and excited gestures with a certain approval. He forebore to
repress the sources of youth.
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