Fyodor Dostoevsky: The Gambler

7. CHAPTER VII

In the morning I sent for the maitre d'hotel, and explained to him that, in future, my bill was to be rendered to me personally. As a matter of fact, my expenses had never been so large as to alarm me, nor to lead me to quit the hotel; while, moreover, I still had 16o gulden left to me, and--in them--yes, in them, perhaps, riches awaited me. It was a curious fact, that, though I had not yet won anything at play, I nevertheless acted, thought, and felt as though I were sure, before long, to become wealthy-- since I could not imagine myself otherwise.

Next, I bethought me, despite the earliness of the hour, of going to see Mr. Astley, who was staying at the Hotel de l'Angleterre (a hostelry at no great distance from our own). But suddenly De Griers entered my room. This had never before happened, for of late that gentleman and I had stood on the most strained and distant of terms--he attempting no concealment of his contempt for me (he even made an express, point of showing it), and I having no reason to desire his company. In short, I detested him. Consequently, his entry at the present moment the more astounded me. At once I divined that something out of the way was on the carpet.

He entered with marked affability, and began by complimenting me on my room. Then, perceiving that I had my hat in my hands, he inquired whither I was going so early; and, no sooner did he hear that I was bound for Mr. Astley's than he stopped, looked grave, and seemed plunged in thought.

He was a true Frenchman insofar as that, though he could be lively and engaging when it suited him, he became insufferably dull and wearisome as soon as ever the need for being lively and engaging had passed. Seldom is a Frenchman NATURALLY civil: he is civil only as though to order and of set purpose. Also, if he thinks it incumbent upon him to be fanciful, original, and out of the way, his fancy always assumes a foolish, unnatural vein, for the reason that it is compounded of trite, hackneyed forms. In short, the natural Frenchman is a conglomeration of commonplace, petty, everyday positiveness, so that he is the most tedious person in the world.--Indeed, I believe that none but greenhorns and excessively Russian people feel an attraction towards the French; for, to any man of sensibility, such a compendium of outworn forms--a compendium which is built up of drawing-room manners, expansiveness, and gaiety--becomes at once over-noticeable and unbearable.

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