Alexandre Dumas: The Three Musketeers

66. EXECUTION (continued)

The boat glided along the ferry rope under the shadow of a pale cloud which hung over the water at that moment.

The troop of friends saw it gain the opposite bank; the figures were defined like black shadows on the red-tinted horizon.

Milady, during the passage had contrived to untie the cord which fastened her feet. On coming near the bank, she jumped lightly on shore and took to flight. But the soil was moist; on reaching the top of the bank, she slipped and fell upon her knees.

She was struck, no doubt, with a superstitious idea; she conceived that heaven denied its aid, and she remained in the attitude in which she had fallen, her head drooping and her hands clasped.

Then they saw from the other bank the executioner raise both his arms slowly; a moonbeam fell upon the blade of the large sword. The two arms fell with a sudden force; they heard the hissing of the scimitar and the cry of the victim, then a truncated mass sank beneath the blow.

The executioner then took off his red cloak, spread it upon the ground, laid the body in it, threw in the head, tied all up by the four corners, lifted it on his back, and entered the boat again.

In the middle of the stream he stopped the boat, and suspending his burden over the water cried in a loud voice, "Let the justice of God be done!" and he let the corpse drop into the depths of the waters, which closed over it.

Three days afterward the four Musketeers were in Paris; they had not exceeded their leave of absence, and that same evening they went to pay their customary visit to M. de Treville.

"Well, gentlemen," said the brave captain, "I hope you have been well amused during your excursion."

"Prodigiously," replied Athos in the name of himself and his comrades.

This is page 745 of 757. [Mark this Page]
Mark any page to add this title to Your Bookshelf. (0 / 10 books on shelf)
Customize text appearance:
Color: A A A A A   Font: Aa Aa   Size: 1 2 3 4 5   Defaults
(c) 2003-2012 LiteraturePage.com and Michael Moncur. All rights reserved.
For information about public domain texts appearing here, read the copyright information and disclaimer.