Sir Arthur Conan Doyle: A Study in Scarlet

PART I. 4. CHAPTER IV. WHAT JOHN RANCE HAD TO TELL. (continued)

My companion smiled approvingly.

"You sum up the difficulties of the situation succinctly and well," he said. "There is much that is still obscure, though I have quite made up my mind on the main facts. As to poor Lestrade's discovery it was simply a blind intended to put the police upon a wrong track, by suggesting Socialism and secret societies. It was not done by a German. The A, if you noticed, was printed somewhat after the German fashion. Now, a real German invariably prints in the Latin character, so that we may safely say that this was not written by one, but by a clumsy imitator who overdid his part. It was simply a ruse to divert inquiry into a wrong channel. I'm not going to tell you much more of the case, Doctor. You know a conjuror gets no credit when once he has explained his trick, and if I show you too much of my method of working, you will come to the conclusion that I am a very ordinary individual after all."

"I shall never do that," I answered; "you have brought detection as near an exact science as it ever will be brought in this world."

My companion flushed up with pleasure at my words, and the earnest way in which I uttered them. I had already observed that he was as sensitive to flattery on the score of his art as any girl could be of her beauty.

"I'll tell you one other thing," he said. "Patent-leathers and Square-toes came in the same cab, and they walked down the pathway together as friendly as possible -- arm-in-arm, in all probability. When they got inside they walked up and down the room -- or rather, Patent-leathers stood still while Square-toes walked up and down. I could read all that in the dust; and I could read that as he walked he grew more and more excited. That is shown by the increased length of his strides. He was talking all the while, and working himself up, no doubt, into a fury. Then the tragedy occurred. I've told you all I know myself now, for the rest is mere surmise and conjecture. We have a good working basis, however, on which to start. We must hurry up, for I want to go to Halle's concert to hear Norman Neruda this afternoon."