Honore de Balzac: Father Goriot

1. FATHER GORIOT (continued)

At this, all eyes turned to the old vermicelli maker; he was gazing at Eugene with something like envy in his eyes.

Rastignac reached the house in the Rue Saint-Lazare, one of those many-windowed houses with a mean-looking portico and slender columns, which are considered the thing in Paris, a typical banker's house, decorated in the most ostentatious fashion; the walls lined with stucco, the landings of marble mosaic. Mme. de Nucingen was sitting in a little drawing-room; the room was painted in the Italian fashion, and decorated like a restaurant. The Baroness seemed depressed. The effort that she made to hide her feelings aroused Eugene's interest; it was plain that she was not playing a part. He had expected a little flutter of excitement at his coming, and he found her dispirited and sad. The disappointment piqued his vanity.

"My claim to your confidence is very small, madame," he said, after rallying her on her abstracted mood; "but if I am in the way, please tell me so frankly; I count on your good faith."

"No, stay with me," she said; "I shall be all alone if you go. Nucingen is dining in town, and I do not want to be alone; I want to be taken out of myself."

"But what is the matter?"

"You are the very last person whom I should tell," she exclaimed.

"Then I am connected in some way in this secret. I wonder what it is?"

"Perhaps. Yet, no," she went on; "it is a domestic quarrel, which ought to be buried in the depths of the heart. I am very unhappy; did I not tell you so the day before yesterday? Golden chains are the heaviest of all fetters."

When a woman tells a young man that she is very unhappy, and when the young man is clever, and well dressed, and has fifteen hundred francs lying idle in his pocket, he is sure to think as Eugene said, and he becomes a coxcomb.