Samuel Butler: The Way of All Flesh

4. CHAPTER IV (continued)

Returning to Mr Pontifex, whether he liked what he believed to be the masterpieces of Greek and Italian art or no he brought back some copies by Italian artists, which I have no doubt he satisfied himself would bear the strictest examination with the originals. Two of these copies fell to Theobald's share on the division of his father's furniture, and I have often seen them at Battersby on my visits to Theobald and his wife. The one was a Madonna by Sassoferrato with a blue hood over her head which threw it half into shadow. The other was a Magdalen by Carlo Dolci with a very fine head of hair and a marble vase in her hands. When I was a young man I used to think these pictures were beautiful, but with each successive visit to Battersby I got to dislike them more and more and to see "George Pontifex" written all over both of them. In the end I ventured after a tentative fashion to blow on them a little, but Theobald and his wife were up in arms at once. They did not like their father and father-in-law, but there could be no question about his power and general ability, nor about his having been a man of consummate taste both in literature and art--indeed the diary he kept during his foreign tour was enough to prove this. With one more short extract I will leave this diary and proceed with my story. During his stay in Florence Mr Pontifex wrote: "I have just seen the Grand Duke and his family pass by in two carriages and six, but little more notice is taken of them than if I, who am utterly unknown here, were to pass by." I don't think that he half believed in his being utterly unknown in Florence or anywhere else!