Alexandre Dumas: The Count of Monte Cristo

Chapter 91: Mother and Son. (continued)

"Thank you, gentlemen," replied Albert, with a smile of indifference; "I shall follow your advice -- not because you give it, but because I had before intended to quit France. I thank you equally for the service you have rendered me in being my seconds. It is deeply engraved on my heart, and, after what you have just said, I remember that only." Chateau-Renaud and Beauchamp looked at each other; the impression was the same on both of them, and the tone in which Morcerf had just expressed his thanks was so determined that the position would have become embarrassing for all if the conversation had continued.

"Good-by, Albert," said Beauchamp suddenly, carelessly extending his hand to the young man. The latter did not appear to arouse from his lethargy; in fact, he did not notice the offered hand. "Good-by," said Chateau-Renaud in his turn, keeping his little cane in his left hand, and saluting with his right. Albert's lips scarcely whispered "Good-by," but his look was more explicit; it expressed a whole poem of restrained anger, proud disdain, and generous indignation. He preserved his melancholy and motionless position for some time after his two friends had regained their carriage; then suddenly unfastening his horse from the little tree to which his servant had tied it, he mounted and galloped off in the direction of Paris.

In a quarter of an hour he was entering the house in the Rue du Helder. As he alighted, he thought he saw his father's pale face behind the curtain of the count's bedroom. Albert turned away his head with a sigh, and went to his own apartments. He cast one lingering look on all the luxuries which had rendered life so easy and so happy since his infancy; he looked at the pictures, whose faces seemed to smile, and the landscapes, which appeared painted in brighter colors. Then he took away his mother's portrait, with its oaken frame, leaving the gilt frame from which he took it black and empty. Then he arranged all his beautiful Turkish arms, his fine English guns, his Japanese china, his cups mounted in silver, his artistic bronzes by Feucheres and Barye; examined the cupboards, and placed the key in each; threw into a drawer of his secretary, which he left open, all the pocket-money he had about him, and with it the thousand fancy jewels from his vases and his jewel-boxes; then he made an exact inventory of everything, and placed it in the most conspicuous part of the table, after putting aside the books and papers which had collected there.