Alexandre Dumas: The Count of Monte Cristo

Chapter 73: The Promise. (continued)

It cannot be wondered at that his mind, generally so courageous, but now disturbed by the two strongest human passions, love and fear, was weakened even to the indulgence of superstitious thoughts. Although it was impossible that Valentine should see him, hidden as he was, he thought he heard the shadow at the window call him; his disturbed mind told him so. This double error became an irresistible reality, and by one of the incomprehensible transports of youth, he bounded from his hiding-place, and with two strides, at the risk of being seen, at the risk of alarming Valentine, at the risk of being discovered by some exclamation which might escape the young girl, he crossed the flower-garden, which by the light of the moon resembled a large white lake, and having passed the rows of orange-trees which extended in front of the house, he reached the step, ran quickly up and pushed the door, which opened without offering any resistance. Valentine had not seen him. Her eyes, raised towards heaven, were watching a silvery cloud gliding over the azure, its form that of a shadow mounting towards heaven. Her poetic and excited mind pictured it as the soul of her grandmother.

Meanwhile, Morrel had traversed the anteroom and found the staircase, which, being carpeted, prevented his approach being heard, and he had regained that degree of confidence that the presence of M. de Villefort even would not have alarmed him. He was quite prepared for any such encounter. He would at once approach Valentine's father and acknowledge all, begging Villefort to pardon and sanction the love which united two fond and loving hearts. Morrel was mad. Happily he did not meet any one. Now, especially, did he find the description Valentine had given of the interior of the house useful to him; he arrived safely at the top of the staircase, and while he was feeling his way, a sob indicated the direction he was to take. He turned back, a door partly open enabled him to see his road, and to hear the voice of one in sorrow. He pushed the door open and entered. At the other end of the room, under a white sheet which covered it, lay the corpse, still more alarming to Morrel since the account he had so unexpectedly overheard. By its side, on her knees, and with her head buried in the cushion of an easy-chair, was Valentine, trembling and sobbing, her hands extended above her head, clasped and stiff. She had turned from the window, which remained open, and was praying in accents that would have affected the most unfeeling; her words were rapid, incoherent, unintelligible, for the burning weight of grief almost stopped her utterance. The moon shining through the open blinds made the lamp appear to burn paler, and cast a sepulchral hue over the whole scene. Morrel could not resist this; he was not exemplary for piety, he was not easily impressed, but Valentine suffering, weeping, wringing her hands before him, was more than he could bear in silence. He sighed, and whispered a name, and the head bathed in tears and pressed on the velvet cushion of the chair -- a head like that of a Magdalen by Correggio -- was raised and turned towards him. Valentine perceived him without betraying the least surprise. A heart overwhelmed with one great grief is insensible to minor emotions. Morrel held out his hand to her. Valentine, as her only apology for not having met him, pointed to the corpse under the sheet, and began to sob again. Neither dared for some time to speak in that room. They hesitated to break the silence which death seemed to impose; at length Valentine ventured.