PART V
5. CHAPTER V
(continued)
On the canal bank near the bridge and not two houses away from the one
where Sonia lodged, there was a crowd of people, consisting
principally of gutter children. The hoarse broken voice of Katerina
Ivanovna could be heard from the bridge, and it certainly was a
strange spectacle likely to attract a street crowd. Katerina Ivanovna
in her old dress with the green shawl, wearing a torn straw hat,
crushed in a hideous way on one side, was really frantic. She was
exhausted and breathless. Her wasted consumptive face looked more
suffering than ever, and indeed out of doors in the sunshine a
consumptive always looks worse than at home. But her excitement did
not flag, and every moment her irritation grew more intense. She
rushed at the children, shouted at them, coaxed them, told them before
the crowd how to dance and what to sing, began explaining to them why
it was necessary, and driven to desperation by their not
understanding, beat them. . . . Then she would make a rush at the
crowd; if she noticed any decently dressed person stopping to look,
she immediately appealed to him to see what these children "from a
genteel, one may say aristocratic, house" had been brought to. If she
heard laughter or jeering in the crowd, she would rush at once at the
scoffers and begin squabbling with them. Some people laughed, others
shook their heads, but everyone felt curious at the sight of the
madwoman with the frightened children. The frying-pan of which
Lebeziatnikov had spoken was not there, at least Raskolnikov did not
see it. But instead of rapping on the pan, Katerina Ivanovna began
clapping her wasted hands, when she made Lida and Kolya dance and
Polenka sing. She too joined in the singing, but broke down at the
second note with a fearful cough, which made her curse in despair and
even shed tears. What made her most furious was the weeping and terror
of Kolya and Lida. Some effort had been made to dress the children up
as street singers are dressed. The boy had on a turban made of
something red and white to look like a Turk. There had been no costume
for Lida; she simply had a red knitted cap, or rather a night cap that
had belonged to Marmeladov, decorated with a broken piece of white
ostrich feather, which had been Katerina Ivanovna's grandmother's and
had been preserved as a family possession. Polenka was in her everyday
dress; she looked in timid perplexity at her mother, and kept at her
side, hiding her tears. She dimly realised her mother's condition, and
looked uneasily about her. She was terribly frightened of the street
and the crowd. Sonia followed Katerina Ivanovna, weeping and
beseeching her to return home, but Katerina Ivanovna was not to be
persuaded.
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