In a morbid condition of the brain, dreams often have a singular
actuality, vividness, and extraordinary semblance of reality. At times
monstrous images are created, but the setting and the whole picture
are so truthlike and filled with details so delicate, so unexpectedly,
but so artistically consistent, that the dreamer, were he an artist
like Pushkin or Turgenev even, could never have invented them in the
waking state. Such sick dreams always remain long in the memory and
make a powerful impression on the overwrought and deranged nervous
system.
Raskolnikov had a fearful dream. He dreamt he was back in his
childhood in the little town of his birth. He was a child about seven
years old, walking into the country with his father on the evening of
a holiday. It was a grey and heavy day, the country was exactly as he
remembered it; indeed he recalled it far more vividly in his dream
than he had done in memory. The little town stood on a level flat as
bare as the hand, not even a willow near it; only in the far distance,
a copse lay, a dark blur on the very edge of the horizon. A few paces
beyond the last market garden stood a tavern, a big tavern, which had
always aroused in him a feeling of aversion, even of fear, when he
walked by it with his father. There was always a crowd there, always
shouting, laughter and abuse, hideous hoarse singing and often
fighting. Drunken and horrible-looking figures were hanging about the
tavern. He used to cling close to his father, trembling all over when
he met them. Near the tavern the road became a dusty track, the dust
of which was always black. It was a winding road, and about a hundred
paces further on, it turned to the right to the graveyard. In the
middle of the graveyard stood a stone church with a green cupola where
he used to go to mass two or three times a year with his father and
mother, when a service was held in memory of his grandmother, who had
long been dead, and whom he had never seen. On these occasions they
used to take on a white dish tied up in a table napkin a special sort
of rice pudding with raisins stuck in it in the shape of a cross. He
loved that church, the old-fashioned, unadorned ikons and the old
priest with the shaking head. Near his grandmother's grave, which was
marked by a stone, was the little grave of his younger brother who had
died at six months old. He did not remember him at all, but he had
been told about his little brother, and whenever he visited the
graveyard he used religiously and reverently to cross himself and to
bow down and kiss the little grave. And now he dreamt that he was
walking with his father past the tavern on the way to the graveyard;
he was holding his father's hand and looking with dread at the tavern.
A peculiar circumstance attracted his attention: there seemed to be
some kind of festivity going on, there were crowds of gaily dressed
townspeople, peasant women, their husbands, and riff-raff of all
sorts, all singing and all more or less drunk. Near the entrance of
the tavern stood a cart, but a strange cart. It was one of those big
carts usually drawn by heavy cart-horses and laden with casks of wine
or other heavy goods. He always liked looking at those great cart-horses, with their long manes, thick legs, and slow even pace, drawing
along a perfect mountain with no appearance of effort, as though it
were easier going with a load than without it. But now, strange to
say, in the shafts of such a cart he saw a thin little sorrel beast,
one of those peasants' nags which he had often seen straining their
utmost under a heavy load of wood or hay, especially when the wheels
were stuck in the mud or in a rut. And the peasants would beat them so
cruelly, sometimes even about the nose and eyes, and he felt so sorry,
so sorry for them that he almost cried, and his mother always used to
take him away from the window. All of a sudden there was a great
uproar of shouting, singing and the balalaika, and from the tavern a
number of big and very drunken peasants came out, wearing red and blue
shirts and coats thrown over their shoulders.