Charles Dickens: Barnaby Rudge

Chapter 4 (continued)

This Toby was the brown jug of which previous mention has been made. Applying his lips to the worthy old gentleman's benevolent forehead, the locksmith, who had all this time been ravaging among the eatables, kept them there so long, at the same time raising the vessel slowly in the air, that at length Toby stood on his head upon his nose, when he smacked his lips, and set him on the table again with fond reluctance.

Although Sim Tappertit had taken no share in this conversation, no part of it being addressed to him, he had not been wanting in such silent manifestations of astonishment, as he deemed most compatible with the favourable display of his eyes. Regarding the pause which now ensued, as a particularly advantageous opportunity for doing great execution with them upon the locksmith's daughter (who he had no doubt was looking at him in mute admiration), he began to screw and twist his face, and especially those features, into such extraordinary, hideous, and unparalleled contortions, that Gabriel, who happened to look towards him, was stricken with amazement.

'Why, what the devil's the matter with the lad?' cried the locksmith. 'Is he choking?'

'Who?' demanded Sim, with some disdain.

'Who? Why, you,' returned his master. 'What do you mean by making those horrible faces over your breakfast?'

'Faces are matters of taste, sir,' said Mr Tappertit, rather discomfited; not the less so because he saw the locksmith's daughter smiling.

'Sim,' rejoined Gabriel, laughing heartily. 'Don't be a fool, for I'd rather see you in your senses. These young fellows,' he added, turning to his daughter, 'are always committing some folly or another. There was a quarrel between Joe Willet and old John last night though I can't say Joe was much in fault either. He'll be missing one of these mornings, and will have gone away upon some wild-goose errand, seeking his fortune.--Why, what's the matter, Doll? YOU are making faces now. The girls are as bad as the boys every bit!'

'It's the tea,' said Dolly, turning alternately very red and very white, which is no doubt the effect of a slight scald--'so very hot.'