BOOK THE FIRST: THE CUP AND THE LIP
Chapter 7: Mr Wegg Looks After Himself (continued)
This would seem to be secretly agreeable to Wegg, but he veils his
feelings, and observes, 'Strange. To what do you attribute it?'
'I don't know,' replies Venus, who is a haggard melancholy man,
speaking in a weak voice of querulous complaint, 'to what to
attribute it, Mr Wegg. I can't work you into a miscellaneous one,
no how. Do what I will, you can't be got to fit. Anybody with a
passable knowledge would pick you out at a look, and say,--"No
go! Don't match!"'
'Well, but hang it, Mr Venus,' Wegg expostulates with some little
irritation, 'that can't be personal and peculiar in ME. It must often
happen with miscellaneous ones.'
'With ribs (I grant you) always. But not else. When I prepare a
miscellaneous one, I know beforehand that I can't keep to nature,
and be miscellaneous with ribs, because every man has his own
ribs, and no other man's will go with them; but elseways I can be
miscellaneous. I have just sent home a Beauty--a perfect Beauty--
to a school of art. One leg Belgian, one leg English, and the
pickings of eight other people in it. Talk of not being qualified to
be miscellaneous! By rights you OUGHT to be, Mr Wegg.'
Silas looks as hard at his one leg as he can in the dim light, and
after a pause sulkily opines 'that it must be the fault of the other
people. Or how do you mean to say it comes about?' he demands
impatiently.
'I don't know how it comes about. Stand up a minute. Hold the
light.' Mr Venus takes from a corner by his chair, the bones of a
leg and foot, beautifully pure, and put together with exquisite
neatness. These he compares with Mr Wegg's leg; that gentleman
looking on, as if he were being measured for a riding-boot. 'No, I
don't know how it is, but so it is. You have got a twist in that
bone, to the best of my belief. I never saw the likes of you.'
Mr Wegg having looked distrustfully at his own limb, and
suspiciously at the pattern with which it has been compared,
makes the point:
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