Charles Dickens: The Mystery of Edwin Drood

CHAPTER 6. PHILANTHROPY IN MINOR CANON CORNER (continued)

Now, the old lady was exceedingly proud of her bright eyes being so clear that she could read writing without spectacles. Her son was also so proud of the circumstance, and so dutifully bent on her deriving the utmost possible gratification from it, that he had invented the pretence that he himself could NOT read writing without spectacles. Therefore he now assumed a pair, of grave and prodigious proportions, which not only seriously inconvenienced his nose and his breakfast, but seriously impeded his perusal of the letter. For, he had the eyes of a microscope and a telescope combined, when they were unassisted.

'It's from Mr. Honeythunder, of course,' said the old lady, folding her arms.

'Of course,' assented her son. He then lamely read on:

'"Haven of Philanthropy, Chief Offices, London, Wednesday.

'"DEAR MADAM,

'"I write in the--;" In the what's this? What does he write in?'

'In the chair,' said the old lady.

The Reverend Septimus took off his spectacles, that he might see her face, as he exclaimed:

'Why, what should he write in?'

'Bless me, bless me, Sept,' returned the old lady, 'you don't see the context! Give it back to me, my dear.'

Glad to get his spectacles off (for they always made his eyes water), her son obeyed: murmuring that his sight for reading manuscript got worse and worse daily.

'"I write,"' his mother went on, reading very perspicuously and precisely, '"from the chair, to which I shall probably be confined for some hours."'

Septimus looked at the row of chairs against the wall, with a half-protesting and half-appealing countenance.

'"We have,"' the old lady read on with a little extra emphasis, '"a meeting of our Convened Chief Composite Committee of Central and District Philanthropists, at our Head Haven as above; and it is their unanimous pleasure that I take the chair."'