Thomas Hardy: Far from the Madding Crowd

Chapter 22: The Great Barn and the Sheep-shearers (continued)

To-day the large side doors were thrown open towards the sun to admit a bountiful light to the immediate spot of the shearers' operations, which was the wood threshing-floor in the centre, formed of thick oak, black with age and polished by the beating of flails for many generations, till it had grown as slippery and as rich in hue as the state-room floors of an Elizabethan mansion. Here the shearers knelt, the sun slanting in upon their bleached shirts, tanned arms, and the polished shears they flourished, causing these to bristle with a thousand rays strong enough to blind a weak-eyed man. Beneath them a captive sheep lay panting, quickening its pants as misgiving merged in terror, till it quivered like the hot landscape outside.

This picture of to-day in its frame of four hundred years ago did not produce that marked contrast between ancient and modern which is implied by the contrast of date. In comparison with cities, Weatherbury was immutable. The citizen's THEN is the rustic's NOW. In London, twenty or thirty-years ago are old times; in Paris ten years, or five; in Weatherbury three or four score years were included in the mere present, and nothing less than a century set a mark on its face or tone. Five decades hardly modified the cut of a gaiter, the embroidery of a smock-frock, by the breadth of a hair. Ten generations failed to alter the turn of a single phrase. In these Wessex nooks the busy outsider's ancient times are only old; his old times are still new; his present is futurity.

So the barn was natural to the shearers, and the shearers were in harmony with the barn.

The spacious ends of the building, answering ecclesiastically to nave and chancel extremities, were fenced off with hurdles, the sheep being all collected in a crowd within these two enclosures; and in one angle a catching-pen was formed, in which three or four sheep were continuously kept ready for the shearers to seize without loss of time. In the background, mellowed by tawny shade, were the three women, Maryann Money, and Temperance and Soberness Miller, gathering up the fleeces and twisting ropes of wool with a wimble for tying them round. They were indifferently well assisted by the old maltster, who, when the malting season from October to April had passed, made himself useful upon any of the bordering farmsteads.