BOOK THIRD.
CHAPTER 2. A BIRD'S-EYE VIEW OF PARIS.
(continued)
These are very superb structures. Let us add a quantity
of fine, amusing, and varied streets, like the Rue de Rivoli,
and I do not despair of Paris presenting to the eye, when
viewed from a balloon, that richness of line, that opulence
of detail, that diversity of aspect, that grandiose something
in the simple, and unexpected in the beautiful, which
characterizes a checker-board.
However, admirable as the Paris of to-day may seem to
you, reconstruct the Paris of the fifteenth century, call it up
before you in thought; look at the sky athwart that surprising
forest of spires, towers, and belfries; spread out in the
centre of the city, tear away at the point of the islands, fold
at the arches of the bridges, the Seine, with its broad green
and yellow expanses, more variable than the skin of a serpent;
project clearly against an azure horizon the Gothic profile of
this ancient Paris. Make its contour float in a winter's mist
which clings to its numerous chimneys; drown it in profound
night and watch the odd play of lights and shadows in that
sombre labyrinth of edifices; cast upon it a ray of light which
shall vaguely outline it and cause to emerge from the fog the
great heads of the towers; or take that black silhouette
again, enliven with shadow the thousand acute angles of the
spires and gables, and make it start out more toothed than a
shark's jaw against a copper-colored western sky,--and
then compare.
And if you wish to receive of the ancient city an impression
with which the modern one can no longer furnish you, climb--on
the morning of some grand festival, beneath the rising sun of
Easter or of Pentecost--climb upon some elevated point, whence
you command the entire capital; and be present at the wakening
of the chimes. Behold, at a signal given from heaven, for it
is the sun which gives it, all those churches quiver
simultaneously. First come scattered strokes, running from
one church to another, as when musicians give warning that
they are about to begin. Then, all at once, behold!--for it
seems at times, as though the ear also possessed a sight of its
own,--behold, rising from each bell tower, something like a
column of sound, a cloud of harmony. First, the vibration of
each bell mounts straight upwards, pure and, so to speak,
isolated from the others, into the splendid morning sky; then,
little by little, as they swell they melt together, mingle,
are lost in each other, and amalgamate in a magnificent concert.
It is no longer anything but a mass of sonorous vibrations
incessantly sent forth from the numerous belfries; floats,
undulates, bounds, whirls over the city, and prolongs far beyond
the horizon the deafening circle of its oscillations.
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