It was the only speech which he understood, the only sound
which broke for him the universal silence. He swelled out
in it as a bird does in the sun. All of a sudden, the frenzy
of the bell seized upon him; his look became extraordinary;
he lay in wait for the great bell as it passed, as a spider lies
in wait for a fly, and flung himself abruptly upon it, with
might and main. Then, suspended above the abyss, borne to
and fro by the formidable swinging of the bell, he seized the
brazen monster by the ear-laps, pressed it between both knees,
spurred it on with his heels, and redoubled the fury of the
peal with the whole shock and weight of his body. Meanwhile,
the tower trembled; he shrieked and gnashed his teeth,
his red hair rose erect, his breast heaving like a bellows, his
eye flashed flames, the monstrous bell neighed, panting, beneath
him; and then it was no longer the great bell of Notre-
Dame nor Quasimodo: it was a dream, a whirlwind, a tempest,
dizziness mounted astride of noise; a spirit clinging to a flying
crupper, a strange centaur, half man, half bell; a sort of
horrible Astolphus, borne away upon a prodigious hippogriff
of living bronze.
The presence of this extraordinary being caused, as it were,
a breath of life to circulate throughout the entire cathedral.
It seemed as though there escaped from him, at least according
to the growing superstitions of the crowd, a mysterious
emanation which animated all the stones of Notre-Dame, and
made the deep bowels of the ancient church to palpitate. It
sufficed for people to know that he was there, to make them
believe that they beheld the thousand statues of the galleries
and the fronts in motion. And the cathedral did indeed seem
a docile and obedient creature beneath his hand; it waited on
his will to raise its great voice; it was possessed and filled
with Quasimodo, as with a familiar spirit. One would have
said that he made the immense edifice breathe. He was
everywhere about it; in fact, he multiplied himself on all
points of the structure. Now one perceived with affright at
the very top of one of the towers, a fantastic dwarf climbing,
writhing, crawling on all fours, descending outside above the
abyss, leaping from projection to projection, and going to
ransack the belly of some sculptured gorgon; it was Quasimodo
dislodging the crows. Again, in some obscure corner of
the church one came in contact with a sort of living chimera,
crouching and scowling; it was Quasimodo engaged in thought.
Sometimes one caught sight, upon a bell tower, of an enormous
head and a bundle of disordered limbs swinging furiously
at the end of a rope; it was Quasimodo ringing vespers
or the Angelus. Often at night a hideous form was seen
wandering along the frail balustrade of carved lacework,
which crowns the towers and borders the circumference of
the apse; again it was the hunchback of Notre-Dame. Then,
said the women of the neighborhood, the whole church took
on something fantastic, supernatural, horrible; eyes and
mouths were opened, here and there; one heard the dogs, the
monsters, and the gargoyles of stone, which keep watch night
and day, with outstretched neck and open jaws, around the
monstrous cathedral, barking. And, if it was a Christmas
Eve, while the great bell, which seemed to emit the death
rattle, summoned the faithful to the midnight mass, such an
air was spread over the sombre façade that one would have
declared that the grand portal was devouring the throng, and
that the rose window was watching it. And all this came
from Quasimodo. Egypt would have taken him for the god
of this temple; the Middle Ages believed him to be its
demon: he was in fact its soul.