BOOK FIFTH.
CHAPTER 2. THIS WILL KILL THAT.
(continued)
When the memory of the first races felt itself overloaded,
when the mass of reminiscences of the human race became
so heavy and so confused that speech naked and flying, ran
the risk of losing them on the way, men transcribed them on
the soil in a manner which was at once the most visible, most
durable, and most natural. They sealed each tradition beneath
a monument.
The first monuments were simple masses of rock, "which the
iron had not touched," as Moses says. Architecture began like
all writing. It was first an alphabet. Men planted a stone
upright, it was a letter, and each letter was a hieroglyph, and
upon each hieroglyph rested a group of ideas, like the capital
on the column. This is what the earliest races did everywhere,
at the same moment, on the surface of the entire world. We
find the "standing stones" of the Celts in Asian Siberia; in
the pampas of America.
Later on, they made words; they placed stone upon stone,
they coupled those syllables of granite, and attempted some
combinations. The Celtic dolmen and cromlech, the Etruscan
tumulus, the Hebrew galgal, are words. Some, especially the
tumulus, are proper names. Sometimes even, when men had
a great deal of stone, and a vast plain, they wrote a phrase.
The immense pile of Karnac is a complete sentence.
At last they made books. Traditions had brought forth
symbols, beneath which they disappeared like the trunk of a
tree beneath its foliage; all these symbols in which humanity
placed faith continued to grow, to multiply, to intersect, to
become more and more complicated; the first monuments
no longer sufficed to contain them, they were overflowing in
every part; these monuments hardly expressed now the primitive
tradition, simple like themselves, naked and prone upon
the earth. The symbol felt the need of expansion in the edifice.
Then architecture was developed in proportion with human
thought; it became a giant with a thousand heads and
a thousand arms, and fixed all this floating symbolism in an
eternal, visible, palpable form. While Daedalus, who is force,
measured; while Orpheus, who is intelligence, sang;--the pillar,
which is a letter; the arcade, which is a syllable; the pyramid,
which is a word,--all set in movement at once by a law of
geometry and by a law of poetry, grouped themselves, combined,
amalgamated, descended, ascended, placed themselves
side by side on the soil, ranged themselves in stories in the
sky, until they had written under the dictation of the general
idea of an epoch, those marvellous books which were also
marvellous edifices: the Pagoda of Eklinga, the Rhamseion of
Egypt, the Temple of Solomon.
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