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Chapter 2: THE LEGEND OF SOLOMON'S MINES
"What was it that you heard about my brother's journey at Bamangwato?" asked Sir Henry, as I paused to fill my pipe before replying to Captain Good.
"I heard this," I answered, "and I have never mentioned it to a soul till to-day. I heard that he was starting for Solomon's Mines."
"Solomon's Mines?" ejaculated both my hearers at once. "Where are they?"
"I don't know," I said; "I know where they are said to be. Once I saw the peaks of the mountains that border them, but there were a hundred and thirty miles of desert between me and them, and I am not aware that any white man ever got across it save one. But perhaps the best thing I can do is to tell you the legend of Solomon's Mines as I know it, you passing your word not to reveal anything I tell you without my permission. Do you agree to that? I have my reasons for asking."
Sir Henry nodded, and Captain Good replied, "Certainly, certainly."
"Well," I began, "as you may guess, generally speaking, elephant hunters are a rough set of men, who do not trouble themselves with much beyond the facts of life and the ways of Kafirs. But here and there you meet a man who takes the trouble to collect traditions from the natives, and tries to make out a little piece of the history of this dark land. It was such a man as this who first told me the legend of Solomon's Mines, now a matter of nearly thirty years ago. That was when I was on my first elephant hunt in the Matalebe country. His name was Evans, and he was killed the following year, poor fellow, by a wounded buffalo, and lies buried near the Zambesi Falls. I was telling Evans one night, I remember, of some wonderful workings I had found whilst hunting koodoo and eland in what is now the Lydenburg district of the Transvaal. I see they have come across these workings again lately in prospecting for gold, but I knew of them years ago. There is a great wide wagon road cut out of the solid rock, and leading to the mouth of the working or gallery. Inside the mouth of this gallery are stacks of gold quartz piled up ready for roasting, which shows that the workers, whoever they were, must have left in a hurry. Also, about twenty paces in, the gallery is built across, and a beautiful bit of masonry it is.
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