James Fenimore Cooper: The Last of the Mohicans

CHAPTER 2 (continued)

Such an innovation on the silence and retirement of the forest could not fail to enlist the ears of those who journeyed at so short a distance in advance. The Indian muttered a few words in broken English to Heyward, who, in his turn, spoke to the stranger; at once interrupting, and, for the time, closing his musical efforts.

"Though we are not in danger, common prudence would teach us to journey through this wilderness in as quiet a manner as possible. You will then, pardon me, Alice, should I diminish your enjoyments, by requesting this gentleman to postpone his chant until a safer opportunity."

"You will diminish them, indeed," returned the arch girl; "for never did I hear a more unworthy conjunction of execution and language than that to which I have been listening; and I was far gone in a learned inquiry into the causes of such an unfitness between sound and sense, when you broke the charm of my musings by that bass of yours, Duncan!"

"I know not what you call my bass," said Heyward, piqued at her remark, "but I know that your safety, and that of Cora, is far dearer to me than could be any orchestra of Handel's music." He paused and turned his head quickly toward a thicket, and then bent his eyes suspiciously on their guide, who continued his steady pace, in undisturbed gravity. The young man smiled to himself, for he believed he had mistaken some shining berry of the woods for the glistening eyeballs of a prowling savage, and he rode forward, continuing the conversation which had been interrupted by the passing thought.

Major Heyward was mistaken only in suffering his youthful and generous pride to suppress his active watchfulness. The cavalcade had not long passed, before the branches of the bushes that formed the thicket were cautiously moved asunder, and a human visage, as fiercely wild as savage art and unbridled passions could make it, peered out on the retiring footsteps of the travelers. A gleam of exultation shot across the darkly-painted lineaments of the inhabitant of the forest, as he traced the route of his intended victims, who rode unconsciously onward, the light and graceful forms of the females waving among the trees, in the curvatures of their path, followed at each bend by the manly figure of Heyward, until, finally, the shapeless person of the singing master was concealed behind the numberless trunks of trees, that rose, in dark lines, in the intermediate space.