James Fenimore Cooper: The Last of the Mohicans

CHAPTER 31 (continued)

Uncas moved with a slow and dignified tread toward the post, which he immediately commenced encircling with a measured step, not unlike an ancient dance, raising his voice, at the same time, in the wild and irregular chant of his war song. The notes were in the extremes of human sounds; being sometimes melancholy and exquisitely plaintive, even rivaling the melody of birds -- and then, by sudden and startling transitions, causing the auditors to tremble by their depth and energy. The words were few and often repeated, proceeding gradually from a sort of invocation, or hymn, to the Deity, to an intimation of the warrior's object, and terminating as they commenced with an acknowledgment of his own dependence on the Great Spirit. If it were possible to translate the comprehensive and melodious language in which he spoke, the ode might read something like the following: "Manitou! Manitou! Manitou! Thou art great, thou art good, thou art wise: Manitou! Manitou! Thou art just. "In the heavens, in the clouds, oh, I see many spots -- many dark, many red: In the heavens, oh, I see many clouds."

"In the woods, in the air, oh, I hear the whoop, the long yell, and the cry: In the woods, oh, I hear the loud whoop!"

"Manitou! Manitou! Manitou! I am weak -- thou art strong; I am slow; Manitou! Manitou! Give me aid."

At the end of what might be called each verse he made a pause, by raising a note louder and longer than common, that was peculiarly suited to the sentiment just expressed. The first close was solemn, and intended to convey the idea of veneration; the second descriptive, bordering on the alarming; and the third was the well-known and terrific war-whoop, which burst from the lips of the young warrior, like a combination of all the frightful sounds of battle. The last was like the first, humble and imploring. Three times did he repeat this song, and as often did he encircle the post in his dance.

At the close of the first turn, a grave and highly esteemed chief of the Lenape followed his example, singing words of his own, however, to music of a similar character. Warrior after warrior enlisted in the dance, until all of any renown and authority were numbered in its mazes. The spectacle now became wildly terrific; the fierce-looking and menacing visages of the chiefs receiving additional power from the appalling strains in which they mingled their guttural tones. Just then Uncas struck his tomahawk deep into the post, and raised his voice in a shout, which might be termed his own battle cry. The act announced that he had assumed the chief authority in the intended expedition.

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