Louisa May Alcott: Little Women

PART 2 27. CHAPTER TWENTY-SEVEN (continued)

She was just recovering from one of these attacks when she was prevailed upon to escort Miss Crocker to a lecture, and in return for her virtue was rewarded with a new idea. It was a People's Course, the lecture on the Pyramids, and Jo rather wondered at the choice of such a subject for such an audience, but took it for granted that some great social evil would be remedied or some great want supplied by unfolding the glories of the Pharaohs to an audience whose thoughts were busy with the price of coal and flour, and whose lives were spent in trying to solve harder riddles than that of the Sphinx.

They were early, and while Miss Crocker set the heel of her stocking, Jo amused herself by examining the faces of the people who occupied the seat with them. On her left were two matrons, with massive foreheads and bonnets to match, discussing Women's Rights and making tatting. Beyond sat a pair of humble lovers, artlessly holding each other by the hand, a somber spinster eating peppermints out of a paper bag, and an old gentleman taking his preparatory nap behind a yellow bandanna. On her right, her only neighbor was a studious looking lad absorbed in a newspaper.

It was a pictorial sheet, and Jo examined the work of art nearest her, idly wondering what fortuitous concatenation of circumstances needed the melodramatic illustration of an Indian in full war costume, tumbling over a precipice with a wolf at his throat, while two infuriated young gentlemen, with unnaturally small feet and big eyes, were stabbing each other close by, and a disheveled female was flying away in the background with her mouth wide open. Pausing to turn a page, the lad saw her looking and, with boyish good nature offered half his paper, saying bluntly, "want to read it? That's a first-rate story."

Jo accepted it with a smile, for she had never outgrown her liking for lads, and soon found herself involved in the usual labyrinth of love, mystery, and murder, for the story belonged to that class of light literature in which the passions have a holiday, and when the author's invention fails, a grand catastrophe clears the stage of one half the dramatis personae, leaving the other half to exult over their downfall.