Alexandre Dumas: The Man in the Iron Mask

Chapter 22: Showing How the Countersign Was Respected at the Bastile. (continued)

"A truce to this child's play," he said, roughly. "Let the man remain here; take the keys yourself, and show me the way. Not a single person, do you understand, must hear what is going to take place here."

"Ah!" said Baisemeaux, undecided.

"Again!" cried M. Fouquet. "Ah! say 'no' at once, and I will leave the Bastile and will myself carry my own dispatches."

Baisemeaux bowed his head, took the keys, and unaccompanied, except by the minister, ascended the staircase. The higher they advanced up the spiral staircase, the more clearly did certain muffled murmurs become distinct appeals and fearful imprecations.

"What is that?" asked Fouquet.

"That is your Marchiali," said the governor; "this is the way these madmen scream."

And he accompanied that reply with a glance more pregnant with injurious allusion, as far as Fouquet was concerned, than politeness. The latter trembled; he had just recognized in one cry more terrible than any that had preceded it, the king's voice. He paused on the staircase, snatching the bunch of keys from Baisemeaux, who thought this new madman was going to dash out his brains with one of them. "Ah!" he cried, "M. d'Herblay did not say a word about that."

"Give me the keys at once!" cried Fouquet, tearing them from his hand. "Which is the key of the door I am to open?"

"That one."

A fearful cry, followed by a violent blow against the door, made the whole staircase resound with the echo.

"Leave this place," said Fouquet to Baisemeaux, in a threatening tone.

"I ask nothing better," murmured the latter, to himself. "There will be a couple of madmen face to face, and the one will kill the other, I am sure."

This is page 224 of 540. [Mark this Page]
Mark any page to add this title to Your Bookshelf. (0 / 10 books on shelf)
Customize text appearance:
Color: A A A A A   Font: Aa Aa   Size: 1 2 3 4 5   Defaults
(c) 2003-2012 LiteraturePage.com and Michael Moncur. All rights reserved.
For information about public domain texts appearing here, read the copyright information and disclaimer.