VOLUME II
28. CHAPTER XXVIII
(continued)
"Yes, that's why I must watch," said Ralph with the same large
mock-melancholy.
"If she doesn't want you it's probable she doesn't want me."
"No, you're different. Go to the box and stay there while I walk
about."
Lord Warburton went to the box, where Isabel's welcome was as to
a friend so honourably old that he vaguely asked himself what
queer temporal province she was annexing. He exchanged greetings
with Mr. Osmond, to whom he had been introduced the day before
and who, after he came in, sat blandly apart and silent, as if
repudiating competence in the subjects of allusion now probable.
It struck her second visitor that Miss Archer had, in operatic
conditions, a radiance, even a slight exaltation; as she was,
however, at all times a keenly-glancing, quickly-moving,
completely animated young woman, he may have been mistaken on
this point. Her talk with him moreover pointed to presence of
mind; it expressed a kindness so ingenious and deliberate as to
indicate that she was in undisturbed possession of her faculties.
Poor Lord Warburton had moments of bewilderment. She had
discouraged him, formally, as much as a woman could; what
business had she then with such arts and such felicities, above
all with such tones of reparation--preparation? Her voice had
tricks of sweetness, but why play them on HIM? The others came
back; the bare, familiar, trivial opera began again. The box was
large, and there was room for him to remain if he would sit a
little behind and in the dark. He did so for half an hour, while
Mr. Osmond remained in front, leaning forward, his elbows on his
knees, just behind Isabel. Lord Warburton heard nothing, and from
his gloomy corner saw nothing but the clear profile of this young
lady defined against the dim illumination of the house. When
there was another interval no one moved. Mr. Osmond talked to
Isabel, and Lord Warburton kept his corner. He did so but for a
short time, however; after which he got up and bade good-night to
the ladies. Isabel said nothing to detain him, but it didn't
prevent his being puzzled again. Why should she mark so one of
his values--quite the wrong one--when she would have nothing to
do with another, which was quite the right? He was angry with
himself for being puzzled, and then angry for being angry.
Verdi's music did little to comfort him, and he left the theatre
and walked homeward, without knowing his way, through the
tortuous, tragic streets of Rome, where heavier sorrows than his
had been carried under the stars.
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