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17. CHAPTER XVII: A COSTLY RECAPTURE
As the speaker ceased he turned to leave the apartment by the door where I was standing, but I needed to wait no longer; I had heard enough to fill my soul with dread, and stealing quietly away I returned to the courtyard by the way I had come. My plan of action was formed upon the instant, and crossing the square and the bordering avenue upon the opposite side I soon stood within the courtyard of Tal Hajus.
The brilliantly lighted apartments of the first floor told me where first to seek, and advancing to the windows I peered within. I soon discovered that my approach was not to be the easy thing I had hoped, for the rear rooms bordering the court were filled with warriors and women. I then glanced up at the stories above, discovering that the third was apparently unlighted, and so decided to make my entrance to the building from that point. It was the work of but a moment for me to reach the windows above, and soon I had drawn myself within the sheltering shadows of the unlighted third floor.
Fortunately the room I had selected was untenanted, and creeping noiselessly to the corridor beyond I discovered a light in the apartments ahead of me. Reaching what appeared to be a doorway I discovered that it was but an opening upon an immense inner chamber which towered from the first floor, two stories below me, to the dome-like roof of the building, high above my head. The floor of this great circular hall was thronged with chieftains, warriors and women, and at one end was a great raised platform upon which squatted the most hideous beast I had ever put my eyes upon. He had all the cold, hard, cruel, terrible features of the green warriors, but accentuated and debased by the animal passions to which he had given himself over for many years. There was not a mark of dignity or pride upon his bestial countenance, while his enormous bulk spread itself out upon the platform where he squatted like some huge devil fish, his six limbs accentuating the similarity in a horrible and startling manner.
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