Part One
Chapter 5: Possibilities of a Pleasant Outing
(continued)
"I confess that in Italy my sympathies are not with my own
countrymen. It is the neglected Italians who attract me, and
whose lives I am going to paint so far as I can. For I repeat and
I insist, and I have always held most strongly, that a tragedy
such as yesterday's is not the less tragic because it happened in
humble life."
There was a fitting silence when Miss Lavish had concluded. Then
the cousins wished success to her labours, and walked slowly away
across the square.
"She is my idea of a really clever woman," said Miss Bartlett.
"That last remark struck me as so particularly true. It should be
a most pathetic novel."
Lucy assented. At present her great aim was not to get put into
it. Her perceptions this morning were curiously keen, and she
believed that Miss Lavish had her on trial for an ingenue.
"She is emancipated, but only in the very best sense of the
word," continued Miss Bartlett slowly. "None but the superficial
would be shocked at her. We had a long talk yesterday. She
believes in justice and truth and human interest. She told me
also that she has a high opinion of the destiny of woman--Mr.
Eager! Why, how nice! What a pleasant surprise!"
"Ah, not for me," said the chaplain blandly, "for I have been
watching you and Miss Honeychurch for quite a little time."
"We were chatting to Miss Lavish."
His brow contracted.
"So I saw. Were you indeed? Andate via! sono occupato!" The
last remark was made to a vender of panoramic photographs who was
approaching with a courteous smile. "I am about to venture a
suggestion. Would you and Miss Honeychurch be disposed to join me
in a drive some day this week--a drive in the hills? We might go
up by Fiesole and back by Settignano. There is a point on
that road where we could get down and have an hour's ramble on
the hillside. The view thence of Florence is most beautiful--far
better than the hackneyed view of Fiesole. It is the view that
Alessio Baldovinetti is fond of introducing into his pictures.
That man had a decided feeling for landscape. Decidedly. But who
looks at it to-day? Ah, the world is too much for us."
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