3. SCENE III. York. The Archbishop's palace.
Yes, if this present quality of war,
Indeed the instant action: a cause on foot
Lives so in hope as in an early spring
We see the appearing buds; which to prove fruit,
Hope gives not so much warrant as despair
That frosts will bite them. When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then we must rate the cost of the erection;
Which if we find outweighs ability,
What do we then but draw anew the model
In fewer offices, or at least desist
To build at all? Much more, in this great work,
Which is almost to pluck a kingdom down
And set another up, should we survey
The plot of situation and the model,
Consent upon a sure foundation,
Question surveyors, know our own estate,
How able such a work to undergo,
To weigh against his opposite; or else
We fortify in paper and in figures,
Using the names of men instead of men;
Like one that draws the model of a house
Beyond his power to build it; who, half through,
Gives o'er and leaves his part-created cost
A naked subject to the weeping clouds
And waste for churlish winter's tyranny.
Grant that our hopes, yet likely of fair birth,
Should be still-born, and that we now possess'd
The utmost man of expectation,
I think we are a body strong enough,
Even as we are, to equal with the king.
What, is the king but five and twenty thousand?
To us no more; nay, not so much, Lord Bardolph.
For his divisions, as the times do brawl,
Are in three heads: one power against the French,
And one against Glendower; perforce a third
Must take up us: so is the unfirm king
In three divided; and his coffers sound
With hollow poverty and emptiness.
That he should draw his several strengths together
And come against us in full puissance,
Need not be dreaded.
If he should do so,
He leaves his back unarm'd, the French and Welsh
Baying him at the heels: never fear that.
Who is it like should lead his forces hither?