ACT II.
1. SCENE I. Padua. A room in BAPTISTA'S house.
(continued)
HORTENSIO.
Why, no; for she hath broke the lute to me.
I did but tell her she mistook her frets,
And bow'd her hand to teach her fingering;
When, with a most impatient devilish spirit,
'Frets, call you these?' quoth she 'I'll fume with them';
And with that word she struck me on the head,
And through the instrument my pate made way;
And there I stood amazed for a while,
As on a pillory, looking through the lute;
While she did call me rascal fiddler,
And twangling Jack, with twenty such vile terms,
As she had studied to misuse me so.
PETRUCHIO.
Now, by the world, it is a lusty wench!
I love her ten times more than e'er I did:
O! how I long to have some chat with her!
BAPTISTA.
[To HORTENSIO.] Well, go with me, and be not so discomfited;
Proceed in practice with my younger daughter;
She's apt to learn, and thankful for good turns.
Signior Petruchio, will you go with us,
Or shall I send my daughter Kate to you?
PETRUCHIO.
I pray you do. I will attend her here.
[Exeunt BAPTISTA, GREMIO, TRANIO, and HORTENSIO.]
And woo her with some spirit when she comes.
Say that she rail; why, then I'll tell her plain
She sings as sweetly as a nightingale:
Say that she frown; I'll say she looks as clear
As morning roses newly wash'd with dew:
Say she be mute, and will not speak a word;
Then I'll commend her volubility,
And say she uttereth piercing eloquence:
If she do bid me pack, I'll give her thanks,
As though she bid me stay by her a week:
If she deny to wed, I'll crave the day
When I shall ask the banns, and when be married.
But here she comes; and now, Petruchio, speak.
[Enter KATHERINA.]
Good morrow, Kate; for that's your name, I hear.
KATHERINA.
Well have you heard, but something hard of hearing:
They call me Katherine that do talk of me.
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