Charles Dickens: A Tale of Two Cities

Book the Third - The Track of a Storm
4. IV. Calm in Storm (continued)

It was the popular theme for jests; it was the best cure for headache, it infallibly prevented the hair from turning grey, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine, looked through the little window and sneezed into the sack. It was the sign of the regeneration of the human race. It superseded the Cross. Models of it were worn on breasts from which the Cross was discarded, and it was bowed down to and believed in where the Cross was denied.

It sheared off heads so many, that it, and the ground it most polluted, were a rotten red. It was taken to pieces, like a toy-puzzle for a young Devil, and was put together again when the occasion wanted it. It hushed the eloquent, struck down the powerful, abolished the beautiful and good. Twenty-two friends of high public mark, twenty-one living and one dead, it had lopped the heads off, in one morning, in as many minutes. The name of the strong man of Old Scripture had descended to the chief functionary who worked it; but, so armed, he was stronger than his namesake, and blinder, and tore away the gates of God's own Temple every day.

Among these terrors, and the brood belonging to them, the Doctor walked with a steady head: confident in his power, cautiously persistent in his end, never doubting that he would save Lucie's husband at last. Yet the current of the time swept by, so strong and deep, and carried the time away so fiercely, that Charles had lain in prison one year and three months when the Doctor was thus steady and confident. So much more wicked and distracted had the Revolution grown in that December month, that the rivers of the South were encumbered with the bodies of the violently drowned by night, and prisoners were shot in lines and squares under the southern wintry sun. Still, the Doctor walked among the terrors with a steady head. No man better known than he, in Paris at that day; no man in a stranger situation. Silent, humane, indispensable in hospital and prison, using his art equally among assassins and victims, he was a man apart. In the exercise of his skill, the appearance and the story of the Bastille Captive removed him from all other men. He was not suspected or brought in question, any more than if he had indeed been recalled to life some eighteen years before, or were a Spirit moving among mortals.

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