FIRST PERIOD: THE LOSS OF THE DIAMOND (1848)
6. CHAPTER VI
(continued)
I instantly exerted my wits. They were of the slovenly English sort;
and they consequently muddled it all, until Mr. Franklin took them in hand,
and pointed out what they ought to see.
"Remark," says Mr. Franklin, "that the integrity of the Diamond,
as a whole stone, is here artfully made dependent on
the preservation from violence of the Colonel's life.
He is not satisfied with saying to the enemies he dreads, "Kill me--
and you will be no nearer to the Diamond than you are now;
it is where you can't get at it--in the guarded strong-room
of a bank." He says instead, "Kill me--and the Diamond will
be the Diamond no longer; its identity will be destroyed."
What does that mean?"
Here I had (as I thought) a flash of the wonderful foreign brightness.
"I know," I said. "It means lowering the value of the stone,
and cheating the rogues in that way!"
"Nothing of the sort," says Mr. Franklin. "I have inquired
about that. The flawed Diamond, cut up, would actually fetch
more than the Diamond as it now is; for this plain reason--
that from four to six perfect brilliants might be cut from it,
which would be, collectively, worth more money than the large--
but imperfect single stone. If robbery for the purpose
of gain was at the bottom of the conspiracy, the Colonel's
instructions absolutely made the Diamond better worth stealing.
More money could have been got for it, and the disposal of it
in the diamond market would have been infinitely easier,
if it had passed through the hands of the workmen
of Amsterdam."
"Lord bless us, sir!" I burst out. "What was the plot, then?"
"A plot organised among the Indians who originally owned the jewel,"
says Mr. Franklin--"a plot with some old Hindoo superstition at
the bottom of it. That is my opinion, confirmed by a family paper
which I have about me at this moment."
I saw, now, why the appearance of the three Indian jugglers
at our house had presented itself to Mr. Franklin in the light
of a circumstance worth noting.
|