PART I
7. CHAPTER VII.
(continued)
"Why?"
"There is much suffering in this face," murmured the prince, more
as though talking to himself than answering the question.
"I think you are wandering a little, prince," Mrs. Epanchin
decided, after a lengthened survey of his face; and she tossed
the portrait on to the table, haughtily.
Alexandra took it, and Adelaida came up, and both the girls
examined the photograph. Just then Aglaya entered the room.
"What a power!" cried Adelaida suddenly, as she earnestly
examined the portrait over her sister's shoulder.
"Whom? What power?" asked her mother, crossly.
"Such beauty is real power," said Adelaida. "With such beauty as
that one might overthrow the world." She returned to her easel
thoughtfully.
Aglaya merely glanced at the portrait--frowned, and put out her
underlip; then went and sat down on the sofa with folded hands.
Mrs. Epanchin rang the bell.
"Ask Gavrila Ardalionovitch to step this way," said she to the
man who answered.
"Mamma!" cried Alexandra, significantly.
"I shall just say two words to him, that's all," said her mother,
silencing all objection by her manner; she was evidently
seriously put out. "You see, prince, it is all secrets with us,
just now--all secrets. It seems to be the etiquette of the house,
for some reason or, other. Stupid nonsense, and in a matter
which ought to be approached with all candour and open-heartedness.
There is a marriage being talked of, and I don't
like this marriage--"
"Mamma, what are you saying?" said Alexandra again, hurriedly.
"Well, what, my dear girl? As if you can possibly like it
yourself? The heart is the great thing, and the rest is all
rubbish--though one must have sense as well. Perhaps sense is
really the great thing. Don't smile like that, Aglaya. I don't
contradict myself. A fool with a heart and no brains is just as
unhappy as a fool with brains and no heart. I am one and you are
the other, and therefore both of us suffer, both of us are
unhappy."
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