THIRD PART.
50. L. ON THE OLIVE-MOUNT. (continued)
Also do I like to tickle him with a wax-taper, that he may finally let the
heavens emerge from ashy-grey twilight.
For especially wicked am I in the morning: at the early hour when the pail
rattleth at the well, and horses neigh warmly in grey lanes:--
Impatiently do I then wait, that the clear sky may finally dawn for me, the
snow-bearded winter-sky, the hoary one, the white-head,--
--The winter-sky, the silent winter-sky, which often stifleth even its sun!
Did I perhaps learn from it the long clear silence? Or did it learn it
from me? Or hath each of us devised it himself?
Of all good things the origin is a thousandfold,--all good roguish things
spring into existence for joy: how could they always do so--for once only!
A good roguish thing is also the long silence, and to look, like the
winter-sky, out of a clear, round-eyed countenance:--
--Like it to stifle one's sun, and one's inflexible solar will: verily,
this art and this winter-roguishness have I learnt WELL!
My best-loved wickedness and art is it, that my silence hath learned not to
betray itself by silence.
Clattering with diction and dice, I outwit the solemn assistants: all
those stern watchers, shall my will and purpose elude.
That no one might see down into my depth and into mine ultimate will--for
that purpose did I devise the long clear silence.
Many a shrewd one did I find: he veiled his countenance and made his water
muddy, that no one might see therethrough and thereunder.
But precisely unto him came the shrewder distrusters and nut-crackers:
precisely from him did they fish his best-concealed fish!
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