BOOK XI. CONTAINING ABOUT THREE DAYS.
1. Chapter i. A crust for the critics.
(continued)
I will therefore endeavour, in the remaining part of this chapter, to
explain the marks of this character, and to show what criticism I here
intend to obviate: for I can never be understood, unless by the very
persons here meant, to insinuate that there are no proper judges of
writing, or to endeavour to exclude from the commonwealth of
literature any of those noble critics to whose labours the learned
world are so greatly indebted. Such were Aristotle, Horace, and
Longinus, among the antients, Dacier and Bossu among the French, and
some perhaps among us; who have certainly been duly authorised to
execute at least a judicial authority in foro literario.
But without ascertaining all the proper qualifications of a critic,
which I have touched on elsewhere, I think I may very boldly object to
the censures of any one past upon works which he hath not himself
read. Such censurers as these, whether they speak from their own guess
or suspicion, or from the report and opinion of others, may properly
be said to slander the reputation of the book they condemn.
Such may likewise be suspected of deserving this character, who,
without assigning any particular faults, condemn the whole in general
defamatory terms; such as vile, dull, d--d stuff, &c., and
particularly by the use of the monosyllable low; a word which becomes
the mouth of no critic who is not RIGHT HONOURABLE.
Again, though there may be some faults justly assigned in the work,
yet, if those are not in the most essential parts, or if they are
compensated by greater beauties, it will savour rather of the malice
of a slanderer than of the judgment of a true critic to pass a severe
sentence upon the whole, merely on account of some vicious part. This
is directly contrary to the sentiments of Horace:
Verum ubi plura nitent in carmine, non ego paucis
Offendor maculis, quas aut incuria fudit,
Aut humana parum cavit natura----
But where the beauties, more in number, shine,
I am not angry, when a casual line
(That with some trivial faults unequal flows)
A careless hand or human frailty shows.--MR FRANCIS.
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