Anthony Trollope: Barchester Towers

22. CHAPTER XXII: THE THORNES OF ULLATHORNE (continued)

But Mr and Miss Thorne were proud of this peculiarity of their dwelling, though the brother was once all but tempted by his friends to alter it. They delighted in the knowledge that they, like Cedric, positively dined in their true hall, even though they so dined tete-a-tete. But though they had never owned, they had felt and endeavoured to remedy the discomfort of such an arrangement. A huge screen partitioned off the front door and a portion of the hall, and from the angle so screened off a second door led into a passage, which ran along the larger side of the house next to the courtyard. Either my reader or I must be a bad hand at topography, if it be not clear that the great hall forms the ground-floor of the smaller portion of the mansion, that which was to your left as you entered the iron gate, and that it occupies the whole of this wing of the building. It must be equally clear that it looks out on a trim mown lawn, through three quadrangular windows with stone mullions, each window divided into a larger portion at the bottom, and a smaller portion at the top, and each portion again divided into five by perpendicular stone supporters. There may be windows which give a better light than such as those, and it may be, as my utilitarian friend observes, that the giving of light is the desired object of a window. I will not argue the point with him. Indeed I cannot. But I shall not the less die in the assured conviction that no sort of description of window is capable of imparting half as much happiness to mankind as that which has been adopted at Ullathorne Court. What--not an oriel? says Miss Diana de Midellage. No, Miss Diana; not even an oriel, beautiful as is an oriel window. It has not about it so perfect a feeling of quiet English homely comfort. Let oriel windows grace a college, or the half public mansion of a potent peer; but for the sitting room of quiet country ladies, of ordinary homely folk, nothing can equal the square mullioned windows of the Tudor architects.