Book I
1. Chapter I.
(continued)
No expense had been spared on the setting, which
was acknowledged to be very beautiful even by people
who shared his acquaintance with the Opera houses of
Paris and Vienna. The foreground, to the footlights,
was covered with emerald green cloth. In the middle
distance symmetrical mounds of woolly green moss
bounded by croquet hoops formed the base of shrubs
shaped like orange-trees but studded with large pink
and red roses. Gigantic pansies, considerably larger
than the roses, and closely resembling the floral pen-wipers
made by female parishioners for fashionable
clergymen, sprang from the moss beneath the rose-trees;
and here and there a daisy grafted on a rose-branch
flowered with a luxuriance prophetic of Mr.
Luther Burbank's far-off prodigies.
In the centre of this enchanted garden Madame
Nilsson, in white cashmere slashed with pale blue satin,
a reticule dangling from a blue girdle, and large yellow
braids carefully disposed on each side of her muslin
chemisette, listened with downcast eyes to M. Capoul's
impassioned wooing, and affected a guileless incomprehension
of his designs whenever, by word or glance, he
persuasively indicated the ground floor window of the
neat brick villa projecting obliquely from the right wing.
"The darling!" thought Newland Archer, his glance
flitting back to the young girl with the lilies-of-the-valley.
"She doesn't even guess what it's all about."
And he contemplated her absorbed young face with a
thrill of possessorship in which pride in his own masculine
initiation was mingled with a tender reverence for
her abysmal purity. "We'll read Faust together . . . by
the Italian lakes . . ." he thought, somewhat hazily
confusing the scene of his projected honey-moon with
the masterpieces of literature which it would be his
manly privilege to reveal to his bride. It was only that
afternoon that May Welland had let him guess that she
"cared" (New York's consecrated phrase of maiden
avowal), and already his imagination, leaping ahead of
the engagement ring, the betrothal kiss and the march
from Lohengrin, pictured her at his side in some scene
of old European witchery.
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