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17. SIR AGRAVAINE: A TALE OF KING ARTHUR'S ROUND TABLE (continued)
A speculator among the crowd offered six to one on Galahad, but found no takers. Nor was the public's caution without reason.
A moment later the two had met in a cloud of dust, and Agravaine, shooting over his horse's crupper, had fallen with a metallic clang.
He picked himself up, and limped slowly from the arena. He was not unused to this sort of thing. Indeed, nothing else had happened to him in his whole jousting career.
The truth was that Sir Agravaine the Dolorous was out of his element at King Arthur's court, and he knew it. It was this knowledge that had given him that settled air of melancholy from which he derived his title.
Until I came upon this black-letter MS. I had been under the impression, like, I presume, everybody else, that every Knight of the Round Table was a model of physical strength and beauty. Malory says nothing to suggest the contrary. Nor does Tennyson. But apparently there were exceptions, of whom Sir Agravaine the Dolorous must have been the chief.
There was, it seems, nothing to mitigate this unfortunate man's physical deficiencies. There is a place in the world for the strong, ugly man, and there is a place for the weak, handsome man. But to fall short both in features and in muscle is to stake your all on brain. And in the days of King Arthur you did not find the populace turning out to do homage to brain. It was a drug on the market. Agravaine was a good deal better equipped than his contemporaries with grey matter, but his height in his socks was but five feet four; and his muscles, though he had taken three correspondence courses in physical culture, remained distressingly flaccid. His eyes were pale and mild, his nose snub, and his chin receded sharply from his lower lip, as if Nature, designing him, had had to leave off in a hurry and finish the job anyhow. The upper teeth, protruding, completed the resemblance to a nervous rabbit.
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