Isabel Archer was a young person of many theories; her
imagination was remarkably active. It had been her fortune to
possess a finer mind than most of the persons among whom her lot
was cast; to have a larger perception of surrounding facts and to
care for knowledge that was tinged with the unfamiliar. It is
true that among her contemporaries she passed for a young woman
of extraordinary profundity; for these excellent people never
withheld their admiration from a reach of intellect of which they
themselves were not conscious, and spoke of Isabel as a prodigy
of learning, a creature reported to have read the classic authors
--in translations. Her paternal aunt, Mrs. Varian, once spread
the rumour that Isabel was writing a book--Mrs. Varian having a
reverence for books, and averred that the girl would distinguish
herself in print. Mrs. Varian thought highly of literature, for
which she entertained that esteem that is connected with a sense
of privation. Her own large house, remarkable for its assortment
of mosaic tables and decorated ceilings, was unfurnished with a
library, and in the way of printed volumes contained nothing but
half a dozen novels in paper on a shelf in the apartment of one
of the Miss Varians. Practically, Mrs. Varian's acquaintance with
literature was confined to The New York Interviewer; as she very
justly said, after you had read the Interviewer you had lost all
faith in culture. Her tendency, with this, was rather to keep the
Interviewer out of the way of her daughters; she was determined
to bring them up properly, and they read nothing at all. Her
impression with regard to Isabel's labours was quite illusory;
the girl had never attempted to write a book and had no desire
for the laurels of authorship. She had no talent for expression
and too little of the consciousness of genius; she only had a
general idea that people were right when they treated her as if
she were rather superior. Whether or no she were superior, people
were right in admiring her if they thought her so; for it seemed
to her often that her mind moved more quickly than theirs, and
this encouraged an impatience that might easily be confounded
with superiority. It may be affirmed without delay that Isabel
was probably very liable to the sin of self-esteem; she often
surveyed with complacency the field of her own nature; she was in
the habit of taking for granted, on scanty evidence, that she was
right; she treated herself to occasions of homage. Meanwhile her
errors and delusions were frequently such as a biographer
interested in preserving the dignity of his subject must shrink
from specifying. Her thoughts were a tangle of vague outlines
which had never been corrected by the judgement of people
speaking with authority. In matters of opinion she had had her
own way, and it had led her into a thousand ridiculous zigzags.
At moments she discovered she was grotesquely wrong, and then she
treated herself to a week of passionate humility. After this she
held her head higher than ever again; for it was of no use, she
had an unquenchable desire to think well of herself. She had a
theory that it was only under this provision life was worth
living; that one should be one of the best, should be conscious
of a fine organisation (she couldn't help knowing her organisation
was fine), should move in a realm of light, of natural wisdom, of
happy impulse, of inspiration gracefully chronic. It was almost
as unnecessary to cultivate doubt of one's self as to cultivate
doubt of one's best friend: one should try to be one's own best
friend and to give one's self, in this manner, distinguished
company. The girl had a certain nobleness of imagination which
rendered her a good many services and played her a great many
tricks. She spent half her time in thinking of beauty and bravery
and magnanimity; she had a fixed determination to regard the
world as a place of brightness, of free expansion, of
irresistible action: she held it must be detestable to be afraid
or ashamed. She had an infinite hope that she should never do
anything wrong. She had resented so strongly, after discovering
them, her mere errors of feeling (the discovery always made her
tremble as if she had escaped from a trap which might have caught
her and smothered her) that the chance of inflicting a sensible
injury upon another person, presented only as a contingency,
caused her at moments to hold her breath. That always struck her
as the worst thing that could happen to her. On the whole,
reflectively, she was in no uncertainty about the things that
were wrong. She had no love of their look, but when she fixed
them hard she recognised them. It was wrong to be mean, to be
jealous, to be false, to be cruel; she had seen very little of
the evil of the world, but she had seen women who lied and who
tried to hurt each other. Seeing such things had quickened her
high spirit; it seemed indecent not to scorn them. Of course the
danger of a high spirit was the danger of inconsistency--the
danger of keeping up the flag after the place has surrendered; a
sort of behaviour so crooked as to be almost a dishonour to the
flag. But Isabel, who knew little of the sorts of artillery to
which young women are exposed, flattered herself that such
contradictions would never be noted in her own conduct. Her life
should always be in harmony with the most pleasing impression she
should produce; she would be what she appeared, and she would
appear what she was. Sometimes she went so far as to wish that
she might find herself some day in a difficult position, so that
she should have the pleasure of being as heroic as the occasion
demanded. Altogether, with her meagre knowledge, her inflated
ideals, her confidence at once innocent and dogmatic, her temper
at once exacting and indulgent, her mixture of curiosity and
fastidiousness, of vivacity and indifference, her desire to look
very well and to be if possible even better, her determination to
see, to try, to know, her combination of the delicate, desultory,
flame-like spirit and the eager and personal creature of
conditions: she would be an easy victim of scientific criticism
if she were not intended to awaken on the reader's part an
impulse more tender and more purely expectant.