Louisa May Alcott: Jo's Boys


As it is as impossible for the humble historian of the March family to write a story without theatricals in it as for our dear Miss Yonge to get on with less than twelve or fourteen children in her interesting tales, we will accept the fact, and at once cheer ourselves after the last afflicting events, by proceeding to the Christmas plays at Plumfield; for they influence the fate of several of our characters, and cannot well be skipped.

When the college was built Mr Laurie added a charming little theatre which not only served for plays, but declamations, lectures, and concerts. The drop-curtain displayed Apollo with the Muses grouped about him; and as a compliment to the donor of the hall the artist had given the god a decided resemblance to our friend, which was considered a superb joke by everyone else. Home talent furnished stars, stock company, orchestra, and scene painter; and astonishing performances were given on this pretty little stage.

Mrs Jo had been trying for some time to produce a play which should be an improvement upon the adaptations from the French then in vogue, curious mixtures of fine toilettes, false sentiment, and feeble wit, with no touch of nature to redeem them. It was easy to plan plays full of noble speeches and thrilling situations, but very hard to write them; so she contented herself with a few scenes of humble life in which the comic and pathetic were mingled; and as she fitted her characters to her actors, she hoped the little venture would prove that truth and simplicity had not entirely lost their power to charm. Mr Laurie helped her, and they called themselves Beaumont and Fletcher, enjoying their joint labour very much; for Beaumont's knowledge of dramatic art was of great use in curbing Fletcher's too-aspiring pen, and they flattered themselves that they had produced a neat and effective bit of work as an experiment.

All was ready now; and Christmas Day was much enlivened by last rehearsals, the panics of timid actors, the scramble for forgotten properties, and the decoration of the theatre. Evergreen and holly from the woods, blooming plants from the hothouse on Parnassus, and flags of all nations made it very gay that night in honour of the guests who were coming, chief among them, Miss Cameron, who kept her promise faithfully. The orchestra tuned their instruments with unusual care, the scene-shifters set their stage with lavish elegance, the prompter heroically took his seat in the stifling nook provided for him, and the actors dressed with trembling hands that dropped the pins, and perspiring brows whereon the powder wouldn't stick. Beaumont and Fletcher were everywhere, feeling that their literary reputation was at stake; for sundry friendly critics were invited, and reporters, like mosquitoes, cannot be excluded from any earthly scene, be it a great man's death-bed or a dime museum.

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