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6. CROWNED HEADS
Katie had never been more surprised in her life than when the serious young man with the brown eyes and the Charles Dana Gibson profile spirited her away from his friend and Genevieve. Till that moment she had looked on herself as playing a sort of 'villager and retainer' part to the brown-eyed young man's hero and Genevieve's heroine. She knew she was not pretty, though somebody (unidentified) had once said that she had nice eyes; whereas Genevieve was notoriously a beauty, incessantly pestered, so report had it, by musical comedy managers to go on the stage.
Genevieve was tall and blonde, a destroyer of masculine peace of mind. She said 'harf' and 'rahther', and might easily have been taken for an English duchess instead of a cloak-model at Macey's. You would have said, in short, that, in the matter of personable young men, Genevieve would have swept the board. Yet, here was this one deliberately selecting her, Katie, for his companion. It was almost a miracle.
He had managed it with the utmost dexterity at the merry-go-round. With winning politeness he had assisted Genevieve on her wooden steed, and then, as the machinery began to work, had grasped Katie's arm and led her at a rapid walk out into the sunlight. Katie's last glimpse of Genevieve had been the sight of her amazed and offended face as it whizzed round the corner, while the steam melodeon drowned protests with a spirited plunge into 'Alexander's Ragtime Band'.
Katie felt shy. This young man was a perfect stranger. It was true she had had a formal introduction to him, but only from Genevieve, who had scraped acquaintance with him exactly two minutes previously. It had happened on the ferry-boat on the way to Palisades Park. Genevieve's bright eye, roving among the throng on the lower deck, had singled out this young man and his companion as suitable cavaliers for the expedition. The young man pleased her, and his friend, with the broken nose and the face like a good-natured bulldog, was obviously suitable for Katie.
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