Charles Dickens: Barnaby Rudge

Chapter 51 (continued)

If any other corroborative testimony had been required, it would have been abundantly furnished in the actions of Miss Miggs, who, having arrived at that restless state and sensitive condition of the nervous system which are the result of long watching, did, by a constant rubbing and tweaking of her nose, a perpetual change of position (arising from the sudden growth of imaginary knots and knobs in her chair), a frequent friction of her eyebrows, the incessant recurrence of a small cough, a small groan, a gasp, a sigh, a sniff, a spasmodic start, and by other demonstrations of that nature, so file down and rasp, as it were, the patience of the locksmith, that after looking at her in silence for some time, he at last broke out into this apostrophe:--

'Miggs, my good girl, go to bed--do go to bed. You're really worse than the dripping of a hundred water-butts outside the window, or the scratching of as many mice behind the wainscot. I can't bear it. Do go to bed, Miggs. To oblige me--do.'

'You haven't got nothing to untie, sir,' returned Miss Miggs, 'and therefore your requests does not surprise me. But missis has--and while you sit up, mim'--she added, turning to the locksmith's wife, 'I couldn't, no, not if twenty times the quantity of cold water was aperiently running down my back at this moment, go to bed with a quiet spirit.'

Having spoken these words, Miss Miggs made divers efforts to rub her shoulders in an impossible place, and shivered from head to foot; thereby giving the beholders to understand that the imaginary cascade was still in full flow, but that a sense of duty upheld her under that and all other sufferings, and nerved her to endurance.

Mrs Varden being too sleepy to speak, and Miss Miggs having, as the phrase is, said her say, the locksmith had nothing for it but to sigh and be as quiet as he could.