Charles Dickens: Barnaby Rudge

Chapter 51 (continued)

But to be quiet with such a basilisk before him was impossible. If he looked another way, it was worse to feel that she was rubbing her cheek, or twitching her ear, or winking her eye, or making all kinds of extraordinary shapes with her nose, than to see her do it. If she was for a moment free from any of these complaints, it was only because of her foot being asleep, or of her arm having got the fidgets, or of her leg being doubled up with the cramp, or of some other horrible disorder which racked her whole frame. If she did enjoy a moment's ease, then with her eyes shut and her mouth wide open, she would be seen to sit very stiff and upright in her chair; then to nod a little way forward, and stop with a jerk; then to nod a little farther forward, and stop with another jerk; then to recover herself; then to come forward again--lower--lower--lower-- by very slow degrees, until, just as it seemed impossible that she could preserve her balance for another instant, and the locksmith was about to call out in an agony, to save her from dashing down upon her forehead and fracturing her skull, then all of a sudden and without the smallest notice, she would come upright and rigid again with her eyes open, and in her countenance an expression of defiance, sleepy but yet most obstinate, which plainly said, 'I've never once closed 'em since I looked at you last, and I'll take my oath of it!'

At length, after the clock had struck two, there was a sound at the street door, as if somebody had fallen against the knocker by accident. Miss Miggs immediately jumping up and clapping her hands, cried with a drowsy mingling of the sacred and profane, 'Ally Looyer, mim! there's Simmuns's knock!'

'Who's there?' said Gabriel.

'Me!' cried the well-known voice of Mr Tappertit. Gabriel opened the door, and gave him admission.