APPENDIX
81. NOTES ON "THUS SPAKE ZARATHUSTRA" BY ANTHONY M. LUDOVICI. (continued)
After his address to the higher men, Zarathustra goes out into the open to
recover himself. Meanwhile the magician (Wagner), seizing the opportunity
in order to draw them all into his net once more, sings the Song of
Melancholy.
Chapter LXXV. Science.
The only one to resist the "melancholy voluptuousness" of his art, is the
spiritually conscientious one--the scientific specialist of whom we read in
the discourse entitled "The Leech". He takes the harp from the magician
and cries for air, while reproving the musician in the style of "The Case
of Wagner". When the magician retaliates by saying that the spiritually
conscientious one could have understood little of his song, the latter
replies: "Thou praisest me in that thou separatest me from thyself." The
speech of the scientific man to his fellow higher men is well worth
studying. By means of it, Nietzsche pays a high tribute to the honesty of
the true specialist, while, in representing him as the only one who can
resist the demoniacal influence of the magician's music, he elevates him at
a stroke, above all those present. Zarathustra and the spiritually
conscientious one join issue at the end on the question of the proper place
of "fear" in man's history, and Nietzsche avails himself of the opportunity
in order to restate his views concerning the relation of courage to
humanity. It is precisely because courage has played the most important
part in our development that he would not see it vanish from among our
virtues to-day. "...courage seemeth to me the entire primitive history of
man."
Chapter LXXVI. Among the Daughters of the Desert.
This tells its own tale.
Chapter LXXVII. The Awakening.
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