| THE TALE OF THE LOST LAND
CHAPTER 28: DRILLING THE KING
 On the morning of the fourth day, when it was just sunrise, and we
 had been tramping an hour in the chill dawn, I came to a resolution:
 the king must be drilled; things could not go on so, he must be
 taken in hand and deliberately and conscientiously drilled, or we
 couldn't ever venture to enter a dwelling; the very cats would know
 this masquerader for a humbug and no peasant.  So I called a halt
 and said: "Sire, as between clothes and countenance, you are all right, there
 is no discrepancy; but as between your clothes and your bearing,
 you are all wrong, there is a most noticeable discrepancy.  Your
 soldierly stride, your lordly port--these will not do.  You stand
 too straight, your looks are too high, too confident.  The cares
 of a kingdom do not stoop the shoulders, they do not droop the chin,
 they do not depress the high level of the eye-glance, they do not
 put doubt and fear in the heart and hang out the signs of them
 in slouching body and unsure step.  It is the sordid cares of
 the lowly born that do these things.  You must learn the trick;
 you must imitate the trademarks of poverty, misery, oppression,
 insult, and the other several and common inhumanities that sap
 the manliness out of a man and make him a loyal and proper and
 approved subject and a satisfaction to his masters, or the very
 infants will know you for better than your disguise, and we shall go
 to pieces at the first hut we stop at.  Pray try to walk like this." The king took careful note, and then tried an imitation. "Pretty fair--pretty fair.  Chin a little lower, please--there, very
 good.  Eyes too high; pray don't look at the horizon, look at the
 ground, ten steps in front of you.  Ah--that is better, that is
 very good.  Wait, please; you betray too much vigor, too much
 decision; you want more of a shamble.  Look at me, please--this is
 what I mean....  Now you are getting it; that is the idea--at least,
 it sort of approaches it....  Yes, that is pretty fair.  But!
 There is a great big something wanting, I don't quite know what
 it is.  Please walk thirty yards, so that I can get a perspective
 on the thing....  Now, then--your head's right, speed's right,
 shoulders right, eyes right, chin right, gait, carriage, general
 style right--everything's right!  And yet the fact remains, the
 aggregate's wrong.  The account don't balance.  Do it again,
 please....  Now I think I begin to see what it is.  Yes, I've
 struck it.  You see, the genuine spiritlessness is wanting; that's
 what's the trouble.  It's all amateur--mechanical details all
 right, almost to a hair; everything about the delusion perfect,
 except that it don't delude." |