Honore de Balzac: Father Goriot

1. FATHER GORIOT (continued)

"Sylvie," called Mme. Vauquer, "bring in some biscuits, and the little cakes."

"Those little cakes are mouldy graybeards," said Vautrin. "But trot out the biscuits."

The Bordeaux wine circulated; the dinner table became a livelier scene than ever, and the fun grew fast and furious. Imitations of the cries of various animals mingled with the loud laughter; the Museum official having taken it into his head to mimic a cat-call rather like the caterwauling of the animal in question, eight voices simultaneously struck up with the following variations:

"Scissors to grind!"

"Chick-weeds for singing bir-ds!"

"Brandy-snaps, ladies!"

"China to mend!"

"Boat ahoy!"

"Sticks to beat your wives or your clothes!"

"Old clo'!"

"Cherries all ripe!"

But the palm was awarded to Bianchon for the nasal accent with which he rendered the cry of "Umbrellas to me-end!"

A few seconds later, and there was a head-splitting racket in the room, a storm of tomfoolery, a sort of cats' concert, with Vautrin as conductor of the orchestra, the latter keeping an eye the while on Eugene and Father Goriot. The wine seemed to have gone to their heads already. They leaned back in their chairs, looking at the general confusion with an air of gravity, and drank but little; both of them were absorbed in the thought of what lay before them to do that evening, and yet neither of them felt able to rise and go. Vautrin gave a side glance at them from time to time, and watched the change that came over their faces, choosing the moment when their eyes drooped and seemed about to close, to bend over Rastignac and to say in his ear:--