PART THIRD: THE LIGHTHOUSE
4. CHAPTER FOUR
 (continued)
The cruel futility of things stood unveiled in the levity and
 
sufferings of that incorrigible people; the cruel futility of
 
lives and of deaths thrown away in the vain endeavour to attain
 
an enduring solution of the problem.  Unlike Decoud, Charles
 
Gould could not play lightly a part in a tragic farce. It was
 
tragic enough for him in all conscience, but he could see no
 
farcical element.  He suffered too much under a conviction of
 
irremediable folly. He was too severely practical and too
 
idealistic to look upon its terrible humours with amusement, as
 
Martin Decoud, the imaginative materialist, was able to do in the
 
dry light of his scepticism.  To him, as to all of us, the
 
compromises with his conscience appeared uglier than ever in the
 
light of failure.  His taciturnity, assumed with a purpose, had
 
prevented him from tampering openly with his thoughts; but the
 
Gould Concession had insidiously corrupted his judgment.  He
 
might have known, he said to himself, leaning over the balustrade
 
of the corredor, that Ribierism could never come to anything. The
 
mine had corrupted his judgment by making him sick of bribing and
 
intriguing merely to have his work left alone from day to day.
 
Like his father, he did not like to be robbed.  It exasperated
 
him. He had persuaded himself that, apart from higher
 
considerations, the backing up of Don Jose's hopes of reform was
 
good business. He had gone forth into the senseless fray as his
 
poor uncle, whose sword hung on the wall of his study, had gone
 
forth--in the defence of the commonest decencies of organized
 
society. Only his weapon was the wealth of the mine, more
 
far-reaching and subtle than an honest blade of steel fitted into
 
a simple brass guard. 
 
More dangerous to the wielder, too, this weapon of wealth,
 
double-edged with the cupidity and misery of mankind, steeped in
 
all the vices of self-indulgence as in a concoction of poisonous
 
roots, tainting the very cause for which it is drawn, always
 
ready to turn awkwardly in the hand. There was nothing for it now
 
but to go on using it. But he promised himself to see it
 
shattered into small bits before he let it be wrenched from his
 
grasp. 
 
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