| THIRD PART.
50. L.  ON THE OLIVE-MOUNT. (continued)Also do I like to tickle him with a wax-taper, that he may finally let the
heavens emerge from ashy-grey twilight. For especially wicked am I in the morning:  at the early hour when the pail
rattleth at the well, and horses neigh warmly in grey lanes:-- Impatiently do I then wait, that the clear sky may finally dawn for me, the
snow-bearded winter-sky, the hoary one, the white-head,-- --The winter-sky, the silent winter-sky, which often stifleth even its sun! Did I perhaps learn from it the long clear silence?  Or did it learn it
from me?  Or hath each of us devised it himself? Of all good things the origin is a thousandfold,--all good roguish things
spring into existence for joy:  how could they always do so--for once only! A good roguish thing is also the long silence, and to look, like the
winter-sky, out of a clear, round-eyed countenance:-- --Like it to stifle one's sun, and one's inflexible solar will:  verily,
this art and this winter-roguishness have I learnt WELL! My best-loved wickedness and art is it, that my silence hath learned not to
betray itself by silence. Clattering with diction and dice, I outwit the solemn assistants:  all
those stern watchers, shall my will and purpose elude. That no one might see down into my depth and into mine ultimate will--for
that purpose did I devise the long clear silence. Many a shrewd one did I find:  he veiled his countenance and made his water
muddy, that no one might see therethrough and thereunder. But precisely unto him came the shrewder distrusters and nut-crackers: 
precisely from him did they fish his best-concealed fish! |